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REVIEW: Nad Sylvan – Spiritus Mundi

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There's no denying that hearing the landmark prog colossus of an album, “Selling England By the Pound,” by GENESIS for the first time kind...

REVIEW: Wheel – Resident Human

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About 4 years ago, I met up at the legendary Finnish concert venue Nosturi (which was recently demolished) with two relatively anxious guys to...

Interview with Wheel — “We’re trying to mess with our expectations...

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Rising progressive metal act WHEEL is ready to present their sophomore album, "Resident Human" on March 26th, 2021, via OMN Label Services. We had...

Wheeliltä lisää taidokasta musiikkia: Fugue on tunnelmallinen progerock-kappale.

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Kotimainen WHEEL on löytänyt tasaisen kuulijakunnan progressiivisen rockin ja metallin kuluttajien keskuudessa. Yhtyeen "Moving Backwards" -debyyttilevy poiki useita Euroopan-kiertueita ja hittibiisi "Vulturesia" on kuunneltu Spotifyssa kohta jo kaksi...

REVIEW: Anneke van Giersbergen – The Darkest Skies Are the Brightest

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Anneke van Giersbergen does not really need an introduction, does she? If you haven't heard of her, I almost feel like calling you out...

REVIEW: Simulacrum – Genesis

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For quite some time now, people have been recommending me to listen to SIMULACRUM, a progressive metal outfit from Finland. Having listened to their...

Interview with Soen — “This is a strong album, it has power,...

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Progressive metal act SOEN is ready to release their new album, "Imperial," through Silver Lining Music on 29 January 2021. We had the opportunity...

REVIEW: External – EP: Stillness

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Publishing new music in December is certainly a venture - unfortunately, these releases tend to be overlooked because of all the end-of-year activities. Finnish...

REVIEW: Our Oceans – While Time Disappears

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One of the most celebrated literary classics is the multi-volume novel, In Search of Lost Time, written by the French author, Marcel Proust, during...

REVIEW: Onsegén Ensemble – Fear

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It is not an everyday occurrence that a genuinely unique prog-oddity from the far north of Finland manages to challenge the weirdness factor of...

REVIEW: White Walls – Grandeur

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Romania may not be the most metal country in the world, but there are still many bands that play variations of this type of...

Interview with White Walls — “We feel like this is the...

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With the release of their new album, “Grandeur,” which comes after a few long years of radio silence, the time has come to catch...

REVIEW: Neal Morse – Sola Gratia

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The progressive rock of the 1970s is notorious for its indulgence in fantasy themes – knights in shining armor and such. Some of the...

REVIEW: Derek Sherinian – The Phoenix (Musicalypse Archive)

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Derek Sherinian is a prolific American keyboard wizard, whose name might not instantly ring a bell, but you're certainly prone to have a vague...

REVIEW: Rikard Sjöblom’s Gungfly – Alone Together

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To say that social media has turned into an effective instrument for creating a false impression of connection is not a notion to be...

(1980) Yes – Drama: Anniversary Special

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With a significant lineup change - singer Jon Anderson and keyboardist Rick Wakeman leaving the band and THE BUGGLES' very own vocalist Trevor Horn...

REVIEW: The Tangent – Auto Reconnaissance (Musicalypse Archive)

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If the name Andy Tillison doesn't mean anything, there's a chance that you've never heard of THE TANGENT. This progressive rock group was formed by the...

REVIEW: The Tangent – Auto Reconnaissance

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The world of contemporary prog seems to solidify on bands who either comply to the museum piece values of the 1970s progressive rock or...

REVIEW: Lonely Robot – Feelings Are Good

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LONELY ROBOT is the solo project of English singer, multi-instrumentalist, and producer John Mitchell, best known as member of ARENA, IT BITES, KINO, and...

REVIEW: Kansas – The Absence of Presence (Musicalypse Archive)

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American rock legends KANSAS are back again with their sixteenth release, entitled "The Absence of Presence," which follows 2016's "The Prelude Implicit." Set for...