INVERNOIR‘s second full-length album, “Aimin’ for Oblivion,” was released on September 27th, 2024, via Aural Music/Code666. The Italian four-piece, founded in Rome back in 2016, remains rooted in death/doom metal, if their previous opus, “The Void and the Unbearable Loss,” released almost four years ago, is any indication. However, it’s also clear that they have taken more than one step forward in terms of songwriting and composition. It’s worth mentioning that the new album was recorded at guitarist Lorenzo Carlini‘s Blue Ocean Recording Studio, where he oversaw many aspects of the album’s creation. The final outcome reflects his keen eye, both as a musician and a sound engineer.
“Aimin’ for Oblivion” sounds generally heavier and more complex, enriched by orchestrations that do not overpower the overall atmosphere, which remains strongly connected to that nostalgic ’90s vibe. It literally feels like they are reviving the old British masters of the genre, such as ANATHEMA, PARADISE LOST, and MY DYING BRIDE, with their unmistakable personal touch and a modern twist. Although these acts are undeniable influences, INVERNOIR has found their own way to make the best use of them without adopting the super-annoying copycat approach often found in too many bands within the same subgenre.
A spoken-word part in Italian on the fifth track, “Broken,” adds an exotic touch for international listeners, while showcasing INVERNOIR‘s uniqueness and boldness in self-expression. Words are important, which is why frontman and guitarist Alessandro Sforza uses them wisely, striking a balance between portraying the mood he wishes to convey and avoiding clichés.
The crushing guitar work is a staple in their sound, making the tunes quite catchy. Some tracks, in particular, easily become full-fledged earworms also thanks to the clever use of melody—a field where these guys have excelled since day one. Speaking of, the passionate, heart-wrenching guitar solo in “Doomed” is the ultimate proof of their fine taste in delivering emotional pieces of art. Take, for instance, “Desperate Days,” the third track on “Aimin’ for Oblivion,” which feels like a continuation of their previous release but eventually develops into a more complex, multi-layered tune, confirming their evolution in songwriting. On a side note, I recommend watching the music video, as it adds a further narrative layer.
A clear influence from SWALLOW THE SUN is detectable here and there. “Few Minutes” could be the result of a night out with the members of INVERNOIR, where having fun and discussions about songwriting and the meaning of life led to this outcome. Even the juxtaposition of scream and growl fits perfectly into this picture, which could see Alessandro and Mikko Kotamäki exchanging thoughts about extreme vocal styles over a cold beer. I can’t help but imagine it…
“Aimin’ for Oblivion” covers a wide range of nuances in exploring the many shades of melancholy. Track seven, “Unworthy,” even introduces a distinctive ’80s vibe that takes the album to a new level. At this point, I can’t really choose just one or two highlights, as the album is best experienced in its entirety, though it’s not to be considered a concept album.
In conclusion, it’s interesting to see how a well-established subgenre, where almost everything was said and done decades ago, still inspires bands to create new music. Standing out in a crowd dominated by big names from the genre’s glorious past is no easy task, but INVERNOIR have made themselves heard once again. “Aimin’ for Oblivion” may very well be their golden ticket to a brighter future, in a shameless yet bold contrast to the worldview they showcase with their music.
Written by Licia Mapelli
Tracklist
- Shadow Slave
- Doomed
- Desperate Days
- Forgotten in Time
- Broken
- Few Minutes
- Unworthy
- Useless
Lineup
Alessandro Sforza – vocals, guitars, keys
Lorenzo Carlini – guitars
Valerio Lippera – bass
Flavio Castagnoli – drums
Label
Aural Music/Code666
